NH10 received highly positive reviews from critics, with particular praise directed towards Sharma's performance.[53] Anubhav Parsheera of India Today called NH10 a "gripping" film that "provides a rare perspective of the female".[54] Others called it "a non-stop, relentless, edge-of-the-seat experience"[55]and a "taut and riveting thriller [that was] eminently watchable".[56] Rajeev Masand wrote that the film is a "standard genre movie on the surface" with layers of "rich subtext" that delivers "so much more than your average thriller". He also complimented Sharma's performance, saying she "sinks her teeth into the character".[57] Saurabh Dwivedi of India Today labelled the film "a very important film of today's times" and a "cry of protest against patriarchy".[58]
Contrasting with the highly positive reviews, Shubhra Gupta wrote that Sharma's character was not believable; "Meera, dragging a sharp bhala on the ground, with the soundtrack helpfully amplifying the sound, does not leave me cheering".[63] Faiza S Khan of The Guardian called the film "a misogynistic slasher movie with a topical twist".[64] Rohit Vats of Hindustan Times stated that the film's second half "lacks the same fluidity and penetration power" as the first half, saying,"NH10 displays a great potential and then fails to capitalise on it".[65] Sukanya Verma of Rediff.com called the film a "compelling thriller" but said the climax is a "letdown".[66] Deepanjana Pal wrote that the film has stereotypical rural characters, but praised Sharma's performance, writing, "NH10 was not an easy film to make and it isn't an easy film to watch, but give it five minutes, and it will suck you into its menace-riddled story".[67]
Highway movie 2015 full movie 1080p
After racking up a daunting body count in both France ("Taken") and Turkey ("Taken 2"), the destructive Mills family (who really should consider going into the witness protection program, not only for their own safety, but for ours) turn their sights on the sunny freeways of their home town, Los Angeles, in "Taken 3". Starting with the unimaginative (and, as it happens, incorrect) title, "Taken 3," directed by Oliver Megaton, is both lazy and tremendously overwrought. Anchored, as always, by a sincere performance by Liam Neeson, as well as the additional gravitas provided by Forest Whitaker as the police officer tracking Neeson down, the film pulses with indifference. "Taken" and "Taken 2" were preposterous, but entertaining: care had been given to the plot as well as the filming so that they worked as thrillers. Many didn't care for the sequel, but I liked it a lot, especially the cinematic use of the architecture in Istanbul, which showed a real understanding for how action happening in a very specific landscape can be exciting and suspenseful. "Taken 3" doesn't want to take the time to set things up carefully or clearly, so that while you can perceive that you are on the highway out to Malibu, or careening along the 405, the film doesn't use the specific landscape or architecture to help tell its story. It's just a frantic, flash-cutting frenzy. Even the slower, more intimate family scenes feature so many swooping-up-from-below shots and so many sudden inserts that moments (emotional or physical) are never given a chance to land.
The number of cuts per scene is astronomical, ensuring that the audience never gets a chance to orient itself in the environment, or, for that matter, care about what is happening. Liam Neeson is impressive physically, but the fight scenes are filmed with so many cuts that the action itself is never clear. In one car chase scene, involving multiple police cars, an 18-wheeler, and the various commuters on the road, a car commandeered by Mills ends up driving the wrong way down a crowded freeway. At least I think that's what I was seeing. The coked-up editing makes it impossible to tell, and it made me yearn, longingly, for the classic car chase scene in "To Live and Die in L.A.," also involving a car barreling the wrong way down a freeway. That visceral, gripping scene in "To Live and Die in L.A." was filmed so specifically that the audience never loses its orientation in space. Effective car chase scenes involve care in the execution: it's not enough to show a car flipping over in slo-mo, surrounding it with 100 quick edits designed to disorient. Ironically, that approach ends up making it look like the movie is trying too hard.
Highway Full Movie (2014) Watch Online in DVD Print Quality download,Watch Online Highway Full Movie (2014) in HD Print Quality Free download.Highway is a 2014 Indian drama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala. The film stars Randeep Hooda and Alia Bhatt in the lead roles.This movie is one of the best movie of 2014. The songs of this movie also got high ratings in bollywood filiming.Watch this movie from our website in the best available print and enjoy this movie.you are also able to download this movie from our website to watch it later and we upload more romantic movies on our website so you will also enjoy them.we are always take care of our viewers. 2ff7e9595c
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